In 2020 and 2021 Sony Music Entertainment had
released the boxed sets "From Elvis In
Nashville" and "Back In Nashville", which
feature striped down remixes of the material,
the king had recorded in Music City in 1970 and
1971. On August 9, 2024 they followed up with
"Memphis". It peaked at
number 11 in Switzerland, at number 48 in
Germany, at number 53 in Australia, at number 79
(Flanders) and 82 (Wallonia) in Belgium, at
number 83 in the UK (albeit at number 5 on the
Official Physical Album Chart) and at number 148
in France. However, in the king's homeland
"Memphis" didn't chart at all. In
contrast to the physical sales the digital
edition was quite popular and was streamed more
than 400 million times within its first three
months after release on Spotify alone.
The lynchpin of the boxed set is the 70th anniversary of the
release of "That's All Right", Elvis' first
single. As the title suggests, the focus is on the
music Elvis had taped in Memphis. The journey
starts in 1954 at SUN Records and ends in 1976
in the den of the king's Graceland mansion.
The
presentation of "Memphis" is similar to the predecessors.
Once again the outer packaging includes two
large digipaks for the compact discs as well as
an informative booklet.
Of course the music also is treated in a
similar way: With the exception of one or two
tracks Matt Ross-Spang left out the overdubs and
remixed the original master takes. However, this
doesn't apply to the recordings Elvis made at
SUN and the concert, the king gave in his
self-choosen hometown in 1974. Back in the 1950s
everything was recorded on a single track, so
nothing can be remixed. The live recording also
includes all the elements, that were taped on
March 20, 1974. But here Matt has
created a mix, that sounds much better than the
album "Elvis Recorded Live On Stage In Memphis"
(1974) and also is an improvement over the
remixed Legacy Edition (2014). Before he went
to work, everything was newly remastered by Vic
Anesini. Because the SUN recordings are the
exception from the rule (they were remastered by
Sebastian Jeansson), I guess Sony simply copied
them from FTD's boxed set "A Boy From Tupelo".
This cost-saving procedure is nothing to worry
about, because the music sounds mighty fine.
This applies to all recordings here, everything
is crystal clear, lively and punchy. Not every song benefits from leaving out
the overdubs, but most of them do. Once again it
has to be said, that Elvis wanted the songs to
sound just as they did when they were released.
He wasn't a fan of sparse arrangements and loved
choirs, horns and violins. Matt Ross-Spang's
versions of the material certainly are catering
to the taste of the 2010s/2020s. We also
have to take into consideration, that the
musicians in the studio knew, that further
elements would be added later. That's why a few
of the tracks sound a bit empty or too sparsely
arranged.
In contrast to the Nashville sets, this one
is neither in chronological order, nor complete. Some of the tunes are
left out, so we don't get a remake of everything
Elvis recorded in his self-chosen home town.
From the sessions at American Sound Studio "This
Is The Story", "A Little Bit Of Green", "Inherit
The Wind", "I'll Be There", "My Little Friend",
"Who Am I", "And The Grass Won't Pay No Mind",
"If I'm A Fool For Loving You" and
"Rubberneckin'" are missing. The part of the
Stax recordings omittes "Girl Of Mine", "Mr.
Songman", "Thinking About You" and "Love Song Of
The Year". The reason for leaving out these
tracks is unclear. I guess Sony simply demanded
to limit the physical set to five compact discs.
However, in this case the songs could have been
included on the more important digital release.
Besides that, nobody would have complained if
Sony had bothered to issue "Memphis" in hi-res. In
addition to the cd-set the label also released a double album
(pressed on red vinyl) with the essence of the
recordings. By the way, on the UK's Official
Vinyl Chart the set peaked at number 11.
For reviews of the individual compact discs/chapters
tap here:
SUN Records
American Sound Studio
Stax
Studio
Midsouth Coliseum
Graceland
Mansion
Verdict
A few of the performances leave something
to be desired, but most of them are solid
affairs, some even belong to the stone cold
classics of the king's catalogue. In general
the good stuff outweights the bad by far and
the vast majority of the songs benefits from
the new mix. I enjoyed the musical journey
very much.
(C) Sony Music
Entertainment