In the summer of 2012 Follow That Dream
Records took the fans on a trip from Hawaii to
Vegas, where Elvis staged a rehearsal session on
January 25, 1973 for his upcoming stint at the
Hilton. The cover art is a cheap copy & paste
job, homemade by a not very skilled person. The
mastering also doesn't give a professional
impression, because the recording is running a
tad too slow. That the product is not available
on the various streaming platforms tops it off.
So why is this thing worth bothering with?
Well, it's a rehearsal and we don't have all
that many opportunities to listen to the artist
preparing his shows. Four days after the
television concert "Aloha From Hawaii Via
Satellite" Elvis flew to Las Vegas, were he was
booked for another four-week-engagement at the
Hilton from January 26th onwards. Because the
set list more or less mirrored the one of the tv
special, the king limited the preparation to two
sessions. Thy took place at the Showroom
Internationale on January 24th and 25th. The
second rehearsal session was recorded with a
simple cassette recorder, which was placed on a
table near the stage. So the whole thing sounds
like a very good audience recording, but without
an audience.
Something
During the production of "That's The Way It Is"
Elvis had performed the Beatles' hit a few times
for the MGM cameras, in early 1971 "Something"
became a regular feature of his Vegas show. To
limit the effort of preparation, the king
re-activated the ballad for his television
concert "Aloha From Hawaii Via Satellite". Of
course this rehearsal-version mirrors the
"Aloha" one, but Elvis sounds somewhat bored and
at times has trouble remembering the lyrics.
You Gave Me A Mountain
In contrast to the lame rendition of "Something"
the king invests some energy and delivers a good
performance. No wonder that "You Gave Me A
Mountain" became a regular feature of his show,
while "Something" was rarely sung.
Steamroller Blues
The singer had put "Steamroller Blues" aside
after a single performance during his "Elvis
Summer Festival 1972", but revived and
rearranged the track for his "Aloha From Hawaii
Via Satellite" show. Today he's trying something
new and sings the "napalm bomb" verse after the
guitar solo. But while the orchestra continues
in the usual way, Elvis sings as laid back as on
the first verse. It's quite interesting to hear
this incarnation of the song. The king would
sing "Steamroller Blues" this way during some of
the first concerts of the forthcoming stint, but
soon return to the "Aloha" styled rendition.
My Way
Elvis jokes a bit with Charlie and Joe, but then
he delivers a serious performance of "My Way".
At times he fluffs the lyrics and messes up the
timing, but just like after the flawed rendition
of "Something" he doesn't try to iron out the
mistakes.
Love Me
Even though "Love Me" is performed on a regular
basis, Elvis wants to rehearse it. At the end
the trumpet players jokingly intone a few bars
of "The Stars Sprangled Banner".
It's Over
This one is rarely performed on stage, so a
rehearsal does no harm. It's an emotional and
heartfelt rendition, that would have been the
highlight of any concert.
Blue Suede Shoes
Once again one cannot help but wondering why
Elvis feels the need to rehearse a song he's
doing on a regular basis. He doesn't even like
"Blue Suede Shoes" and rattles it off without
investing any energy.
Im So Lonesome I Could Cry
The Hank Williams classic was one of the
highlights of the "Aloha" special. Today Elvis
has included a guitar solo, which is beautifully
accentuated by the harmony singers. The king
also sings additional lyrics, which he obviously
isn't too sure of. Once again he doesn't feel
the need to work on the performance and just
moves on to the next song.
Welcome To My World
Once again it's painfully apparant, that Elvis
is not prepared. He doesn't seem to care at all
and shows no interest to improve the
presentation.
I'll Remember You
This ballad seems to be one of the few songs the
king is caring for. Even though his performance
is close to perfect, he works on it and repeates
the finale.
Long Tall Sally / Whole Lotta' Shakin' Goin' On
Elvis sings the rock'n'roll medley as
profunctory as on his television concert. A part
of the performance was not captured on tape,
which is no great loss.
An American Trilogy
The king goofs up the start of "An American
Trilogy", but the second try works well. Even in
front of an audience this would have been a
highlight.
I'm Leavin' It All Up To You
Spontaneously Elvis intones "I'm Leavin' It All
Up To You", but the band is on their toes and
joins in. The singer limits his performance to
the chorus and is done with the tune within a
minute, but nevertheless it's great to hear.
Faded Love
In the past the country song has been rehearsed
several times, but Elvis never presented it live
on stage. Once again the musicians join in
quickly and obviously know their parts. However,
the king does not and makes several mistakes
during the second verse. By now it's no
surprise, that he doesn't work on the
performance.
I Can't Stop Loving You
Instead he sings "I Can't Stop Loving You", a
regular feature of his show. Maybe he simply
wants to do a song he knows well.
Separate Ways
Elvis also wants to present his current single
"Separate Ways". First he performs the ballad
just with his band, during the second rendition
the group is joined by the orchestra. However,
both renditions are quite rocky and even though
the singer works on the performance a bit, the
result is not really presentable. As usual Elvis
shows no signs of ambition and just leaves it as
it is.
Bridge Over Troubled Water
As expected the regular feature of his shows
isn't a challenge to anyone. Afterwards Elvis
says "Let's do Can't Help
Falling In Love and call it off".
Can't Help Falling In Love
With the exception of the concerts in January
and February 1971 Elvis has ended each and every
show with "Can't Help Falling In Love". So it
must be a psychological reason to end this
rehearsal with this song, too. In
mid-performance the recording is stopped, but
once again it's no loss at all.
Verdict
Of course it's interesting to take a look
behind the curtains of the Presley show, but
sadly here we experience a bored and
indifferent artist. Follow That Dream
Records must have been eaqually enthusiastic
about this product and neither cared for the
packaging, nor for the mastering.
(C) Follow That
Dream Records / Sony Music Entertainment